In my last post I told you that my crew and I had just completed shooting four out of six short films, and I’m happy to announce that we’re now one step closer to the finish line, with Jorge’s “Eyes Up” as the only remaining shoot.
However, I promised to tell you all about my own first experience directing a film as an NYU grad film student, so here we go.
This is my “Director-trying-to-visualize-a-good-frame face.” With Sonya Vai and Lin behind the tree. Photo: Avi Kabir
This project is a so-called MOS film; an exercise used to teach us how to tell stories without any of the normal aids that can help carry a film.
It’s shot on super 16mm film, has to be in black and white, shot outside, with no dialogue or music.
In other words, it’s kind of like trying to bake a cake with only butter and water.
If this doesn’t sound like mission impossible to you yet, I’d like to mention that we only get two rolls of film — unless we buy more on your own (Codeword: EXPENSIVE!) — so every take has to count. I, personally, tried to step into my high jumping-mindset “You only get three attempts (at each scene), but try to clear the bar the first time.” As an adrenalin junkie I found great pleasure in that.
This is my “Director-holding-a-green-folder-while-trying-to-balance-a-cup-of-ice-coffee-on-head face.” With Master Lin. Photo: Avi Kabir.
If you’ve followed my blog for a while, you’re probably aware of my financial situation, so I took it upon myself to make this production as cheap as humanly possible, for extra difficulty, you know …
But, you know what?! Thanks to God’s grace, Sonya Vai and my amazing crew it worked! We made a film! (Or at least, I think we did … I still haven’t seen the footage because it’s being developed, but one can always hope we actually did record something that resembles the film I had in mind.)
It takes a village! Just kidding, we were just eight people and one animal on my set, at most. (If you include the “dead cat” microphone in Pepi’s hand, we had two animals, but oh well.) Here with Pepi, Jorge, Lin and Sonya. Photo: Avi Kabir.
Here’s a fun fact for ya: Sonya, who played the lead character, was my AirBnB-host when I first moved to the city, and she was the only New Yorker I knew for a couple of weeks, haha. Besides being an awesome host, she’s also a super talented actress, and I’m so honored to have her in my film. Her co-star, Cleopatra, is a beautiful white pigeon that will get its own shout out later.
The two stars: Sonya Vai and Cleo! Photo: Avi Kabir.
My crew consists of the following rock stars:
Director of Photography – Lin (also known as Master Lin)
Assistant Camera – Jorge
Assistant Director and Grip – Kai
Sound – Pepi
Set photos and everything in-between – Avi
I haven’t had this much fun in a long time. Everyone worked exceptionally hard, and despite the rough weather nobody complained. We actually finished the whole film in less than eight hours spread over two days. Pigeon-Cleo was very well-behaved as well.
Here are some more photos from the shoot:
These two camera guys, Jorge Sistos and Qiying Lin, helped bring my vision to life. Photo: Avi Kabir.
Actress Sonya Vai warming up inside the car between takes. Photo: Avi Kabir.
I haven’t been OUT running, but that doesn’t mean I haven’t been running. With Sonya and “Master Lin.” Photo: Avi Kabir.
The rain stayed away for our important shots, thank God! Lin and Sonya. Photo: Avi Kabir.
Sonya and Cleo’s first introduction. T’was love at first sight! Here with bird handler Eddie who was an absolute trouper/angel. He spent hours outside in the rain and didn’t even want an umbrella. What a hero! Photo: Avi Kabir.
Sonya and Cleo hanging out on location. Photo: Avi Kabir.
Avi did a great job capturing moments like these on set. I was actually so far into the directing bubble that I didn’t even notice that he was running around lika a paparazzo. Photo: Avi Kabir.
Jorge measures the light while Sonya and Cleo are waiting for the camera setup to be done. Photo: Avi Kabir.
With Lin and Jorge. Apparently I was very selfish and kept the umbrella all to myself. Sorry guys! Photo: Avi Kabir.
Also, if it wasn’t clear in any of the earlier photos: filmmaking isn’t glamorous. Here’s proof; I spent a significant amout of time crawling on the ground looking like a drowned weasel.
I’d also like to breifly mention that the tree-location was covered in poop. Human poop. So we had to throw away our shoes. But hey, what don’t we do for the art?
I want to give a huge thanks to everyone who helped us make this film possible! Now a month of editing awaits us before the premiere in December.
Bless you all,